One hopes that such virtues can be ascribed to the Greek ode that Johnson has commissioned especially for the Olympics from Armand D’Angour, fellow in Classics at Jesus College, Oxford.
The ode itself is, as per Johnson’s instructions, to have the lightest of touches: six stanzas in Greek that all offer puns’ on athletes names.
For those who question whether this is an exercise in the Mayor’s personal amusement – Johnson, an Oxford classicist himself, once said of becoming Prime Minister: “Were I to be pulled like Cincinnatus from my plough, then it would be an absolute privilege to serve” – there will, mercifully, be a translation into English.
From the moment D’Angour’s creation is read out at the Royal Opera House on July 23, at a gala welcome for the International Olympic Committee, there will be no escaping the literary dimension of these Games.
The ritual imitates a tradition of the ancient Olympic Games, where poets including Pindar would compose odes in honour of victorious competitors.
Such was the symbolism of the Olympics’ restoration to Athens in 2004 that D’Angour offered this suitably Pindaric contribution:
Blessed precinct of the land of Athena
Immortal City of Theseus and the sons of Erechtheus
We will sing of you, whence Athenians of old
And heroes once set forth to the Games
Of shining Olympia.
You might be inspired, upon absorbing these soaring words, to study the intricacies of Pindar’s dithyrambs in greater depth. You might, equally, be tempted to disregard them as the intellectually aloof scribblings of a remote academic.
But on the second count, you would be misguided. For poetry, and the celebration of artistic merit, has remained enshrined in the Olympic movement to an extent that few in its modern incarnation appreciate.
From 1912 to 1952, Olympic medals were bestowed for works of art reflecting sport across architecture, literature, music, painting and sculpture.
The story-makers in London this summer would do well to contemplate the deep cultural immersion of their forebears and the fact that, in the capital in 1948, it was possible for Finland’s Aale Tynni to win literary gold for her lyric poem Laurel of Hellas.
The notion that the rich sweep of poetry could inform a present-day Olympics is not so anachronistic.
Indeed, it was the innovation of Pierre de Coubertin, deemed to be the father of the modern Games, to incorporate art competitions into the Olympic programme.
Ever the virtuous pedagogue, De Coubertin was the son of an artist whose works featured in the Parisian Salon, and his obsession with giving the Games a broader edifying purpose grew all-consuming.
In 1904, he decreed: “In the high times of Olympia, the fine arts of were combined harmoniously with the Games to create their glory. This is to become reality again.”
It did seem a trifle skewed, though, that he should have claimed the gold for literature himself in 1912 for his poem Ode to Sport. Silver and bronze were not awarded.
But the legacy bequeathed by his poetic preoccupations is a positive one. Quite apart from D’Angour’s experiments in the metre of Pindar, the anticipation of these Olympics is stirring a national revival of perhaps the purest of art forms.
In the seaside Norfolk town of Wells-next-the-Sea, a group of residents have prepared for the torch relay next month by composing an ode of their own, entitled Going for Gold.
From Wordsworth’s affection for cricket to John Betjeman’s A Subaltern’s Love Song, a hymn to the rhythms of tennis, poetry and sport have been inextricably intertwined.
The impending Olympic narrative promises the strengthen the connection like never before.
London 2012: How Zara Phillips reached the Olympics - again - BBC News
In the latest part of our weekly #olympicthursday series on leading British hopes, BBC Olympic sports reporter Ollie Williams profiles eventer Zara Phillips.
"It's not even a conversation that will take place. Zara's on the team, the team are staying in the village, end of story."
Zara Phillips is in line for her Olympic debut at long last, representing Great Britain from a room in the Olympic village - not representing the Royal Family from exclusive lodgings.
"Zara is absolutely a team player," continues Will Connell, performance director for British equestrian sport.
"She doesn't seek the limelight - it's never Zara stirring up the media frenzy, she lets her results do the talking. There's no denying who her mother and grandmother are but she is, first and foremost, an elite equestrian athlete."
Phillips, now 31, has spent a decade proving her talent. A former world champion, she has twice been in contention for the Olympic Games and twice missed out through injury to her horse, Toytown.
This week, she earned nomination to the British Olympic Association as one of five riders in the eventing team for London 2012.
Her third Olympic nomination in succession caps a resurgent 12 months. For a time, it had looked as though carrying the Olympic torch at Cheltenham racecourse was as close to the Games as she might get.
Phillips spent her twenties enjoying remarkable success with Toytown, winning eventing's world title in 2006 and the BBC Sports Personality of the Year award later that year.
But after missing Beijing 2008, Toytown's age began to show. A horse can only go on at the top level for so long and Phillips, tears in her eyes, gave Toytown a public retirement at Gatcombe last year.
"In our sport you're very lucky to find a horse of a lifetime and I found mine relatively early," she told the Daily Telegraph in 2010. "[Toytown] has done everything for me and I owe him the world. Even talking about that horse makes me well up."
With Toytown out of the picture, Phillips had to prove she was no one-horse wonder by finding another challenger and getting them to the top level in time for Olympic selection.
She managed it, in the nick of time, with a horse named High Kingdom - taking him from the most basic of introductory events in Wiltshire five years ago to third place at last week's Bramham horse trials, her last chance to prove the pair had what it takes for the Olympic Games.
"She's been with High Kingdom a long time," says Connell. "She's always been diligent in working hard when it isn't necessarily going right with a horse - she perseveres. She plugged away with him and has done a fantastic job to bring him all the way up through the grades.
"Together, they finished 10th at Burghley last autumn and perhaps that's when he really burst onto the scene. Burghley was probably the result that, to the wider audience, said Zara has a horse that could go to London.
"This is an up-and-coming horse, a horse whose star is in the ascendancy, and [in terms of Olympic selection] that's probably what tipped it over the edge."
After Bramham, Phillips told BBC Sport: "Last year was a big year. He improved massively and came up with the goods [at Burghley]. He's still improving this year and he's a great, fun horse."
Phillips still faces the formality of having the British Olympic Association rubber-stamp her selection to Team GB but, once that happens, she can expect unique challenges as an Olympic team member.
Alongside all the usual pressures athletes place on themselves, the phenomenon of a British Royal competing at a London Olympic Games will inevitably draw intense scrutiny from the media at home and abroad.
"Zara attracts a massive amount of media attention and the challenge will come around that," says Connell.
"The media could impact on Zara's medal-winning chances. It really wouldn't be fair if every time Zara trained, there were a hundred cameramen, and when [German eventing star] Michael Jung's training, there aren't. But that's something Zara's had to cope with throughout her career.
"Part of what makes her successful is her ability to ignore all that. When she won the individual world title, she had to go into an arena with over 50,000 spectators and jump after the Germans had clinched team gold. The pressure and noise were incredible, but she's very cool under pressure. She has a proven championship record."
Asked if her Royal status was a help or hindrance, Phillips once told ITV: "It's a hindrance. People think it was all given to me on a plate and it definitely wasn't.
"But everyone in the sport is good to me. Everyone gets on with it."
Phillips' parents, both Olympic eventers themselves, must know how their daughter feels. The Princess Royal competed at Montreal 1976 and Captain Mark Phillips won team gold at Munich 1972 before returning to win team silver 16 years later in Seoul.
"They very much support me," said Phillips in the same interview. "They've never pushed me but when I started they very much backed me up.
"They're both very knowledgeable, unfortunately. They give me lots of advice - and criticism. But our sport is very different now to when they were competing, which I keep telling them."
There is now an anxious wait to see if Phillips can finally follow in the family footsteps. Will injury strike a third time?
"This is a great challenge we face in equestrian sport," explains Connell. "If a human athlete wakes up one morning and say they're feeling tight in a tendon or whatever, you can tweak the training programme.
"The horse doesn't know the most important competition of its life is coming up, and that introduces a different dynamic. It can't tell you the same things.
"But if they are to win medals in London, the horses have to be very fit and competition-aware. They can't just be put away in a stable now and pulled out at the Games. They will all compete again and that brings the inevitable risk of a slight injury."
As Phillips said ahead of Beijing 2008, before Toytown's second injury nightmare: "To go with all the other sports would be a great dream, but you still have to get there. One step at a time."
Euro 2012: staff at England sponsor Vauxhall banned from watching matches - Daily Telegraph
Staff at plants in Luton, Bedfordshire and Ellesmere Port, Cheshire, were stopped from watching the 1-1 draw against France on Monday and will not be able to see the game against Sweden on Friday, according to the Sun.
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